Galocha Cultural

quinta-feira, 5 de abril de 2018

Honda Civic 1995, Brasil

Honda Civic 1995, Brasil
Fotografia

Uma Dança para a Música do Tempo (Dance to the Music of Time) - Nicolas Poussin

Uma Dança para a Música do Tempo (Dance to the Music of Time) - Nicolas Poussin
Wallace Collection Londres
OST - 82x104 - Aproximadamente 1638

O Rapto das Sabinas (The Rape of the Sabine Women) - Pietro da Cortona

O Rapto das Sabinas (The Rape of the Sabine Women) - Pietro da Cortona
Museus Capitolinos Roma
OST - 280x426 - Entre 1627-1629

Retrato de Francisco Gomes da Silva, "O Chalaça" (Retrato de Francisco Gomes da Silva, "O Chalaça") - Simplício Rodrigues de Sá

Retrato de Francisco Gomes da Silva, "O Chalaça" (Retrato de Francisco Gomes da Silva, "O Chalaça") - Simplício Rodrigues de Sá
Museu Histórico Nacional Rio de Janeiro
OST

Retrato de Dom João VI (Retrato de Dom João VI) - Simplício Rodrigues de Sá

Retrato de Dom João VI (Retrato de Dom João VI) - Simplício Rodrigues de Sá
Pinacoteca do Estado de São Paulo
OST - 83x70

Dom Pedro I (Dom Pedro I) - Simplício Rodrigues de Sá

Dom Pedro I (Dom Pedro I) - Simplício Rodrigues de Sá
Museu Imperial, Petrópolis, Brasil
OST

Último retrato do imperador Dom Pedro I realizado no Brasil, antes de sua abdicação ao trono em favor do filho Dom Pedro II. O óleo de autoria de Simplício Rodrigues de Sá, adquirido pelo Museu Imperial em um leilão em Londres, representa o imperador com uma das fardas imperiais, ostentando, entre as condecorações, a condecoração da Imperial Ordem da Rosa, criada por ele em 1829, por ocasião de seu casamento com d. Amélia de Leuchtenberg, segunda imperatriz do Brasil. Simplício Rodrigues de Sá, pintor português veio para o Rio de Janeiro em 1820, foi aluno de Jean Baptiste Debret e, em 1825, foi nomeado pintor e retratista da Imperial Câmara.

A Intervenção das Sabinas, Roma, Itália (L'Intervention des Sabines) - Jacques-Louis David

A Intervenção das Sabinas, Roma, Itália (L'Intervention des Sabines) - Jacques-Louis David
Roma - Itália
Museu do Louvre, Paris, França
OST - 385x522 - 1799

The Intervention of the Sabine Women is a 1799 painting by the French painter Jacques-Louis David, showing a legendary episode following the abduction of the Sabine women by the founding generation of Rome.
David began planning the work while he was imprisoned in the Luxembourg Palace in 1795. France was at war with other European nations after a period of civil conflict culminating in the Reign of Terror and the Thermidorian Reaction, during which David had been imprisoned as a supporter of Robespierre. David hesitated between representing either this subject or that of Homer reciting his verses to his fellow Greeks. He finally chose to make a canvas representing the Sabine women interposing themselves to separate the Romans and Sabines, as a "sequel" to Poussin's The Rape of the Sabine Women.
Work on the painting commenced in 1796, after his estranged wife visited him in jail. He conceived the idea of telling the story, to honour his wife, with the theme being love prevailing over conflict and the protection of children. The painting was also seen as a plea for the people to reunite after the bloodshed of the revolution. Its realization took him nearly four years.
The painting depicts Romulus's wife Hersilia – the daughter of Titus Tatius, leader of the Sabines – rushing between her husband and her father and placing her babies between them. A vigorous Romulus prepares to strike a half-retreating Tatius with his spear, but hesitates.
The rocky outcrop in the background is the Tarpeian Rock, a reference to civil conflict, since the Roman punishment for treason was to be thrown from the rock. According to legend, when Tatius attacked Rome, he almost succeeded in capturing the city because of the treason of the Vestal Virgin Tarpeia, daughter of Spurius Tarpeius, governor of the citadel on the Capitoline Hill. She opened the city gates for the Sabines in return for 'what they bore on their arms.' She believed that she would receive their golden bracelets. Instead, the Sabines crushed her to death and threw her from the rock, later named for her.