terça-feira, 22 de outubro de 2019

Aston Martin DB4 Series I 1960, Inglaterra























Aston Martin DB4 Series I 1960, Inglaterra
Fotografia



In 1956 Aston Martin began development of the all-new DB4, which debuted at the London Motor Show in the fall of 1958. Not only did it set the tone of Aston Martin design for years to come, the DB4 also introduced an updated engine designed by Tadek Marek, whose name became synonymous with the marque’s engineering and performance excellence. The 3,670 cc DOHC engine was entirely constructed of aluminum and produced 240 bhp in standard tune with twin SU carburetors. Most important, the new 3.7-liter six-cylinder engine provided a platform for further development and continued with various displacements and power ratings through mid-1972.
Aston Martin turned to Carrozzeria Touring for its Superleggera (“superlight”) body design, comprising a lightweight yet strong framework of small-diameter tubes dressed in aluminum panels. The chassis, designed by Harold Beach, was both simpler and more rigid than that of its predecessors, using a new pressed-steel frame. Four-wheel Dunlop disc brakes matched the car’s impressive top speed of over 140 mph. The DB4 claims the distinction of being the first production car capable of sprinting from 0–100 mph and back down to zero in less than 30 seconds. It is fair to say, then, that the DB4 placed Aston Martin back on equal footing with its Italian counterparts from Ferrari and Maserati.
Offered complete with a copy of its original build sheet, this first-series DB4 from 1960 is an original left-hand-drive example. The car was originally delivered to Charles Hornburg, Aston Martin’s premier U.S. West Coast importer. Through Hornburg, the car was sold new to Paul S. Pollack (Karl’s Shoes Limited) of Los Angeles, California. Though much of this DB4’s early history remains unknown, in the 1990s it was owned and fully restored by well-known and respected Aston Martin vintage racing technician Mr. S. Rodd., now an Aston Martin franchise dealer-owner.
Around 2000, this DB4 was traded to Aston Martin dealer Miller Motorcars in Greenwich, Connecticut. Subsequently, 245/L found a home with Mr. Raymond Minella, a well-known Connecticut collector. In Minella’s care, this DB4 won several 1st in Class concours awards. The car was then sold to another well-known Aston Martin collector and moved across the ocean to the UK. Purchased in 2011 by Tom Papadopoulos of Autosport Designs, 245/L returned to the United States. Having only 6,000 miles since complete restoration, it was thoroughly serviced and used for several seasons of motoring enjoyment. In 2016 it took part in the Colorado Grand 1,000-mile vintage rally. Shortly thereafter, the car was sold to its most recent caretaker. During this time, it was decided to return 245/L to its original color combination of Snow Shadow Grey over a lovely Red leather interior. It has thus been the subject of a complete photo-documented cosmetic restoration and is now presented in exceptional concours condition throughout.
The Series 1, with its rear-hinged bonnet, is considered by many to be the most beautiful of the DB4 range for its egg-crate front grille, larger bonnet scoop, and straight cathedral taillights, all part of the original Touring of Milan design. This example, complete with books, tools, and factory jack, will make for a welcome addition to an enthusiast’s garage or collection.

Ferrari 365 GTS by Pininfarina 1965, Itália
















Ferrari 365 GTS by Pininfarina 1965, Itália
Fotografia


As of the mid-1960s, Ferrari’s product line consisted of the 330 GT 2+2, the 275, and the 500 Superfast, which reflected the variety the brand had reached with their road cars. None of these models, however, offered anything quite resembling the unique combination of luxury, performance, and styling possessed by the 250 GT Lusso, which ceased production in 1964. In March 1966 at the Geneva Motor Show, Ferrari finally addressed this shortcoming with the introduction of a new two-seat grand tourer steeped in luxury and speed. The 330 GTC, followed by its GTS sibling, were tremendously popular with more restrained sporting customers, offering elegant aesthetics and classic Ferrari performance.
After two years of production, the 330 GTC and GTS were subtly upgraded to more impressive engine specifications, with the single overhead-cam motor now displacing 4,390 cc, developing 320 hp and a formidable 267 foot-pounds of torque. Each individual cylinder now displaced 365 cc, hence its “365 GT” nomenclature. In this new configuration, the engine delivered a notably wider power band, with significant torque arriving as low as 2,500 rpm, offering drivers a seamless driving experience.
Minor cosmetic changes visually differentiated the two models, with the new 365 cars exhibiting engine-cooling vents on the hood rather than the front fenders, and a modified interior HVAC arrangement. The 365 was also produced in much smaller numbers, with 150 coupes and only 20 spiders built before the model was discontinued in 1970. As the ultimate iteration of the 330 GT platform, the 365 GTC and corresponding spiders combined rarity, beautiful design, and the most powerful single overhead-cam motor ever used on a Ferrari road car.
Built and completed by the factory in December 1968, chassis no. 12163 was the first of the 20 production 365 GTSs completed. More so, it was the only example finished in Avorio Le Tetrarch with Nero leather interior, as well as the only one with script Pininfarina badges. The car was first imported to Belgium by the renowned Garage Francorchamps SA of Brussels. The following year, the car was exhibited on their stand at the Brussels Motor Show from 15–26 January. Afterwards it was sold to its original owner, fish dealer Jean Leveke of Oostend, a longtime and well-established Garage Francorchamps client who, over his lifetime, would own some 20 different Ferraris. A front over-rider bar was installed in this era to comply with Belgian motor vehicle safety requirements and remains in place to this day.
Later in 1975 the car was sold back to its original owner, a Swiss banker, then in 1984 to Dietmar, a German resident of Geneva. Völker had the car refinished in red with a black interior and drove it on Swiss dealer plates GE 1406-U. He subsequently advertised it for sale later that year with 68,000 km before selling it in 1986 to Jean-Claude Caveng. The car would remain in the Caveng family for over a dozen years before finding its next owner, Pierre Ehret of Starnberg, Germany, in December 1998. It exchanged hands in 2001 to Dr. Wolf Zweifler of Munich. The Ferrari would eventually find its way to the care of Joe Leweck.
In this ownership, the car has received a comprehensive photo-documented restoration by Joe Leweck of Bayberry Vintage Autos over the course of 16 months and at a cost of $500,000. The 365 GTS was returned to its enthralling original Brussels Motor Show color scheme of Avorio over Nero. The car also features a rare factory hardtop, correct Campagnolo alloy wheels, virtually irreplaceable original sun visors, and a correct tool roll, jack, and spare. The original engine having been damaged warranted a correct replacement. As such, the car was equipped with a correct 320 hp 365 GTS engine built by the Ferrari Classiche workshops in Maranello, and in keeping with the authenticity of the car, all drivetrain components are original aside from the Classiche-sourced engine.
Accompanying the car are an extensive variety of original documents and supplements, with items such as the original owner’s manual in the original leather pouch, followed by an original factory parts/repair manual, a complete original tool roll with all original tools, as well as a jack and accessories, including an original period-correct Ferrari key ring with original keys. More so, the car includes correspondence with Jacques Swaters relating to this car, factory build sheets, and ownership history provided by marque historian Marcel Massini.
Possibly the finest 365 GTS offered today, this very special Ferrari exudes an impressive restoration, exceedingly correct original specifications, and all the best equipment. It is a car for which no excuses need be made—an absolute must for Ferrari collectors worldwide.

Mercury Marmon-Herrington Station Wagon 1948, Estados Unidos












Mercury Marmon-Herrington Station Wagon 1948, Estados Unidos
Fotografia


Long before Jeep arrived on the scene with their first four-wheel-drive utility vehicle, Marmon-Herrington Incorporated was formed in 1931 in Indianapolis, Indiana, by Walter C. Marmon and Colonel Arthur W. Herrington. Taking over the old Duesenberg assembly plant, the pair started building 4×4 and 6×6 trucks for the army. In 1937, they began converting light-duty Ford cars and trucks to four-wheel drive before halting production when World War II arrived to focus again on military trucks and tanks.
Marmon-Herrington resumed all-wheel-drive production for Ford and Mercury customers in 1946, ending Mercury wagon production with the 89M series by June 1948. Full wood-bodied wagon production halted at Ford’s Iron Mountain plant in March 1948, with the facility slated to build the all-new 1949 Ford and Mercury hybrid steel-wood bodies. As a result, 1948 Mercury wagon production was slashed to just 1,889 cars in total. When adding limited production together with the exclusivity of a four-wheel-drive conversion, the 1948 Mercury Marmon-Herrington instantly became one of the rarest American woodies ever produced.
The exact number of Marmon-Herrington all-wheel-drive woodie-wagon conversions is presently unknown, with no factory production records having survived from this period. However, Marmon-Herrington aficionados report that only a dozen or so total Ford examples of all body styles of each year are known, with far fewer Mercury versions in existence due to their premium price and lower production numbers. As a result, only three such Mercury Marmon-Herrington wagons are presently known to have survived—one example from 1946, another from 1947, and this one being the only known 1948 version, making it the last surviving example of a very rare breed indeed.
Essentially hand-built, the assembly rate of all Marmon-Herrington conversions was necessarily slow and the output small. When this premium four-wheel-drive conversion was ordered from the Lincoln-Mercury dealer, a complete Mercury was delivered to Marmon-Herrington’s plant, where the factory body and power train were removed. A four-speed truck transmission was installed with an 11-inch clutch, and a heavy-duty transfer case was mounted behind it that from 1939 allowed on-demand engagement of the front axle. The chassis was reinforced with new cross members, and the original body was mounted on the new chassis, with the finished Marmon-Herrington wagon delivered to the customer at a cost of well over $4,000—nearly double the factory price of a standard Mercury wagon.
The Mercury Station Wagon presented here has been in a prominent private collection for the past decade. Prior to current ownership, a Midwest family owned it for a number of years after discovery on the East Coast and performed a detailed nut-and-bolt restoration. The woodie specialists at Nickels Woodworking in Traverse City, Michigan, chose bird’s-eye maple and African mahogany to rebuild the body.
Highly sought after for its exotic fine swirling grain that resembles the eye of a bird, bird’s-eye maple trees were prevalent in Ford’s Iron Mountain forests. When combined with African mahogany inserts and a correct factory finish of Monsoon Maroon over the Tan LeBaron Bonney three-seat leather interior, the resulting effect is stunning. Every element of the restoration is reported to be factory correct, from preserving the unique Marmon-Herrington upgrades and badging to replacing any hardware or sheet metal as needed with new old stock. Since completion, the car has been driven less than 200 miles, including display at shows in Kansas City and the Chicago area, where it has won Best of Show honors on several occasions.
Marmon-Herrington all-wheel-drive wagon conversions are some of the most desirable woodies due to their engineering, rarity, and impressive visual stance. However, the significance of this particular Mercury station wagon cannot be overstated, offering woodie collectors an unrepeatable opportunity to acquire that unique crown jewel for their collection.

Cruzamento das Ruas State e Madison, 1910, Chicago, Illinois, Estados Unidos


Cruzamento das Ruas State e Madison, 1910, Chicago, Illinois, Estados Unidos
Chicago - Estados Unidos
Fotografia

Cruzamento das Ruas State e Madison, 1902-1907, Chicago, Illinois, Estados Unidos


Cruzamento das Ruas State e Madison, 1902-1907, Chicago, Illinois, Estados Unidos
Chicago - Estados Unidos
Fotografia

Cruzamento das Ruas State e Madison, 1878, Chicago, Illinois, Estados Unidos


Cruzamento das Ruas State e Madison, 1878, Chicago, Illinois, Estados Unidos
Chicago - Estados Unidos
Fotografia

Cruzamento das Ruas State e Madison, 1871, Após o Grande Incêndio, Chicago, Illinois, Estados Unidos

Cruzamento das Ruas State e Madison, 1871, Após o Grande Incêndio, Chicago, Illinois, Estados Unidos
Chicago - Estados Unidos
Fotografia

Cruzamento das Ruas State e Madison, 1916, Chicago, Illinois, Estados Unidos

Cruzamento das Ruas State e Madison, 1916, Chicago, Illinois, Estados Unidos
Chicago - Estados Unidos
Fotografia - Cartão Postal


The intersection of State Street and Madison Street was for many years “the world's busiest corner.” It is the starting point of Chicago’s street numbering system.

Dolceroma 2019 - Dolceroma


Dolceroma 2019 - Dolceroma
Itália - 105 minutos
Poster do filme

Edifício do Continental and Commercial National Bank, Chicago, Illinois, Estados Unidos

Edifício Continental and Commercial National Bank, Chicago, Illinois, Estados Unidos
Chicago - Estados Unidos
Fotografia - Cartão Postal


The Continental and Commercial National Bank is a historic office building located at 208 S. LaSalle Street in Chicago's Loop. The 21-story building was built in 1911-14 for the Continental and Commercial National Bank, at the time one of the largest banks in the nation. Architect Daniel Burnham designed the building in the Classical Revival style; Burnham, who was perhaps best known for his 1909 plan of Chicago, was a proponent of the style and used it in office buildings in multiple cities. The building's main entrance features a three-story colonnade with eight Doric columns; the eighteenth through the twentieth floors feature a matching colonnade, which forms the building's capital. A frieze and belt course separate the fourth and seventeenth floors from the shaft of the building, giving the building a small amount of horizontal emphasis. An open court occupies the center of the building, allowing natural light to reach its interior offices.