domingo, 13 de junho de 2021

Arco di Tito / Arco de Tito, Circa 1856-1859, Roma, Itália


 

Arco di Tito / Arco de Tito, Circa 1856-1859, Roma, Itália
Roma - Itália
Coleção Jane Martha St. John
Fotografia

Artista Pintando em um Terraço em Amalfi, Itália (An Artist Sketching on a Terrace in Amalfi) - Franz Richard Unterberger


 

Artista Pintando em um Terraço em Amalfi, Itália (An Artist Sketching on a Terrace in Amalfi) - Franz Richard Unterberger
Amalfi - Itália
Coleção privada
Óleo sobre painel - 39x30

Grande Canal, Veneza, Itália (Grande Canal, Venise) - Franz Richard Unterberger


 

Grande Canal, Veneza, Itália (Grande Canal, Venise) - Franz Richard Unterberger
Veneza - Itália
Coleção privada
OST - 83x70

Born into a large bourgeoisie family in Innsbruck, Franz Richard Unterberger studied at the Academy of Munich under Clemens von Zimmermann (1788-1869) and Julius Lange (1817-1878). Following this he attended the Academy of Weimar, before moving to Dusseldorf to work with Oswald von Achenbach (1827-1905) at the Academy of Dusseldorf.
Unterberger felt that the market might be more lucrative in Belgium, and therefore moved to Brussels in 1864, a place he would return to throughout his life. His first visit to Italy was to Milan in 1858 but he left shortly after because of the unsettled political situation there. However he would return to Italy throughout his life, especially after he began to spend the summer at Neuilly-sur-Seine, making these trips to more convenient. As international tourism grew during this period, Unterberger's works which depicted many of the popular European resorts, and included views in England, Norway, Denmark, and France, found a ready market amongst the burgeoning middle classes.
The Venetian cityscape, exemplifies Unterberger's most famous and important credo, "il puro vero." The "pure truth" which aimed to show daily life in large vistas, contrasting the magnificent and the ordinary. In this work, the viewer's attention is initially drawn to the spectacular buildings and the gondola in the foreground. Slowly, the viewer is drawn into the composition and we become aware of the domes Santa Maria della Salute in the background and the detail of people boarding gondolas. Unterberger's bright palette and his ability to capture light result in an evocative and dramatic celebration of this wonderful city.

Canale San Barnaba, Veneza, Itália (Canale San Barnaba, Venise) - Franz Richard Unterberger


 

Canale San Barnaba, Veneza, Itália (Canale San Barnaba, Venise) - Franz Richard Unterberger
Veneza - Itália
Coleção privada
OST - 92x71

Ma Che Bontà! (Ma Che Bontà!) - Andrea Landini

 


Ma Che Bontà! (Ma Che Bontà!) - Andrea Landini
Coleção privada
Óleo sobre painel - 25x37

Nota do blog: "Ma che bontà!", significa, aproximadamente, "mas que delícia!".

O Especialista (The Connoisseur) - Georges Croegaert


 

O Especialista (The Connoisseur) - Georges Croegaert
Coleção privada
Óleo sobre painel - 35x26

Festividades Noturnas, Baía de Nápoles, Monte Vesúvio à Distância, Nápoles, Itália (Evening Festivities, Bay of Naples, Mount Vesuvius in the Distance) - Franz Richard Unterberger


 

Festividades Noturnas, Baía de Nápoles, Monte Vesúvio à Distância, Nápoles, Itália (Evening Festivities, Bay of Naples, Mount Vesuvius in the Distance) - Franz Richard Unterberger
Nápoles - Itália
Coleção privada
OST - 60x85

sábado, 12 de junho de 2021