sexta-feira, 16 de agosto de 2019

Lamborghini Miura P400, Itália
















Lamborghini Miura P400, Itália
Fotografia


The mighty Lamborghini Miura has been beguiling admirers for over 50 years and remains just as striking today as when it debuted at the 1966 Geneva Salon. In his quest to compete with Maranello’s road cars, Ferruccio Lamborghini needed a distinctive design replete with power and beauty. When his team approached him with plans for a transversely positioned mid-rear engine architecture, he quickly approved development.
The Miura achieved such breathtaking heights through the genius of several noted luminary designers and engineers, with Gianpaolo Dallara’s chassis powered by a V-12 engineered by Giotto Bizzarrini, and clothed with coachwork penned by the great Marcelo Gandini of Bertone. Early prototypes were honed through extensive testing by development driver Bob Wallace, eventually allowing performance to match the car’s aesthetic brilliance. With such an all-star cast of creators, it’s no wonder the Miura was a smashing success, as it convincingly challenged Ferrari’s supremacy in the premium Italian market while forwarding the concept of the mid/rear-engine production sports car.
Benefitting from a series of restoration measures over the last 30 years, and retaining its original factory-equipped matching-numbers V-12 engine, this sensational Miura is one of the finest P400 examples to be offered in many years. According to the combined records of factory archives, the Lamborghini Registry, and Joe Sackey’s Lamborghini Bible, chassis no. 3171 was fitted with engine no. 1415, becoming the 80th example completed. As the first 124 examples of the P400 utilized a thinner-gauge chassis frame than later cars, this early Miura is legitimately one of the rare lightweight examples that are often preferred by knowledgeable collectors.

Originally finished in white paint over a black interior, this Lamborghini was completed in mid-October 1967 and distributed to Voitures Paris Monceau, a marque concessionaire in France. While the Miura’s midlife history is currently unknown, the car is believed to have remained in continental Europe until the 1980s, when it relocated to the United Kingdom.
By 1989 the Lamborghini was purchased by John Britton of Birmingham while in a state of mid-restoration, and he spent most of his ownership sympathetically refurbishing the car. According to his own written account and a file of invoices, Britton installed a precisely fabricated bonnet (including work by Land Rover Works), while Alscot Garage stripped the body and primed the exterior for a deep coat of paint in Lamborghini orange applied by RS Panels. The interior was also reupholstered in French Blue leather by the respected Suffolk and Turley, making for a distinctive color combination straight out of the Swinging Sixties. The brash appearance was completed with gold sills and gold-finished Campagnolo alloy wheels.
Nicol Transmissions rebuilt the engine and gearbox, including new valves, forged pistons, and Lamborghini liners. The heads were machined, and the crankshaft was crack tested. The Weber carburetors, brakes, and clutch were rebuilt, while a correct ANSA exhaust system was fitted. Miura specialist Colin Clarke was ultimately commissioned to dial in the engine using original Lamborghini diagnostic equipment. Mr. Britton then transferred the registration of his Ferrari 400 to the Miura, which continues to wear the serendipitous “400 NO” British tags to this day.
After enjoying 15 years of preservative care, the Miura was sold by Mr. Britton in 2004 to fellow countryman Mark Baxtrem of Cleveland. As confirmed by numerous invoices on file, Mr. Baxtrem continued to invest in the Lamborghini’s restoration, retaining Mr. Clarke to conduct a four-year refurbishment that was completed in September 2008. During this complete mechanical freshening, the opportunity was taken to tastefully upgrade the Miura to some of the specifications of the more highly developed P400S model, including a split sump for superior engine preservation and ventilated disc brakes for improved stopping power.
Mr. Baxtrem retained possession through at least late 2009 before selling the Miura to a Spanish collector, and in 2012 the Lamborghini was presented at the Auto Barcelona concours d’elegance, where Lili Bertone (Nuccio Bertone’s widow) was in attendance and was photographed with the car.
In 2017, the exquisite Miura was sold to the current owner, a respected collector based in France, and he quickly submitted the car to Auto Storica in Barcelona for attention to a few minor issues and a concours-level detailing. He has continued the Lamborghini’s fine record of care, conducting a series of appraisals in 2017 and in turn addressing any noted items or perceived deficiencies in presentation. On the back of these efforts, the Miura was again presented at Auto Barcelona in 2017.
Still scintillating in its bright orange finish and complementary French Blue interior, this early Miura is ideal for further display at finer concours d’elegance, marque celebrations, and Italian car shows. Or the fantastic Lamborghini may be enjoyed on the open road, where the finely tuned V-12 will surely intoxicate the driver with its ferocious performance and distinctive exhaust note. 

Fonte: https://rmsothebys.com/en/auctions/PS00/Private-Sales/lots/r0041-1967-Lamborghini-Miura-P400-by-Bertone/807349?_cldee=am9hb2FsYmVydG9mZXJuYW5kZXNAdW9sLmNvbS5icg%3d%3d&recipientid=contact-7c728a50ab8fe9118229000c2971a03a-15dc3538503f4283b776729a9126dec5&esid=b5eb751a-e4bd-e911-822e-000c2971a03a

Os Antigos Pisos Frios de Cimento Queimado "Vermelhões" e a Cera Parquetina, Brasil






Os Antigos Pisos Frios de Cimento Queimado "Vermelhões" e a Cera Parquetina, Brasil
Artigo


Antigamente o “piso frio” era pavimentado com a técnica conhecida como cimento queimado e a cor dada por pigmento, ou, como chamávamos, o popular “pó xadrez” ou “vermelhão” (meu nome preferido).
Muito antes dos pisos e ladrilhos se tornarem acessíveis às classes de trabalhadores, quase todas as casas das vilas de imigrantes de São Paulo tinham um piso frio vermelho ou amarelo, dependendo do ambiente. Nos banheiros, acompanhando a “barra lisa” de cimento das paredes, geralmente era na cor verde.
E para conferir brilho a esses pisos o jeito era usar cera em pasta a base de carnaúba e fazer muita força com o escovão.
Como nessa época poucas casas tinham televisão, a guerra era travada pelas ondas do rádio, por empresas como a Orniex, Atlantis, UFE, Dominó, Lever, entre outras.
Uma delas sempre inserida nos intervalos das novelas de rádio, assim perguntava: “Quem são os Amigos de Josefina? Cito, Póx e Parquetina.”
Cito era a marca de um saponáceo, Póx a marca da goma para engomar camisas sociais brancas e PARQUETINA, até então, a cera em pasta mais vendida do Brasil há mais de 50 anos.
Eram produtos da tradicional empresa Cia. Química Duas Âncoras, subsidiária britânica da empresa Reckitt & Sons (1840), que se instalou no Brasil no ano de 1898.
A Parquetina como ficou conhecida, tinha uma unidade industrial na Rua Pedro de Toledo, até que a Atlantis assumiu o controle acionário total da empresa no Brasil no ano de 1966.
O sucesso da Parquetina no Brasil, além de sua qualidade e pioneirismo pode ser em parte atribuído ao “mascote” da marca que vinha estampado nas latas do produto, que quando ficavam vazias eram utilizadas como bonecos.
Era a figura simpática de um jovem e sorridente “concierge” (tradicional figura dos porteiros de hotel que se encarregavam de carregar malas e das necessidades básicas dos hospedes).
O jovem era apresentado como um patinador que usava escovas como patins e sugeria “acrobacias artísticas” nos brilhantes pisos encerados com Parquetina.
A identificação do público infantil com a figura do “concierge” era instantânea, e como não havia como conseguir aquele tipo de patins, os pequenos se sentavam no escovão de ferro e pediam as avós e as mamães que os levasse para dar uma voltinha.
Era um tombo atrás do outro, mas aquilo era mágico e a garotada não só “andava” de escovão nos anos 60 como também “pilotava” o mesmo, com a justificativa de que iam ajudar as avós a lustrar o piso, quando na verdade queriam mesmo era brincar de carrinho com aquele “veículo”.
Tempos felizes que jamais sairão da memória. Já no final dos anos 60, o taco de madeira e o caquinho vermelho começaram a substituir o velho piso de cimento queimado e as enceradeiras elétricas se tornaram populares, momento em que a garotada passou a se transformar em “pilotos” de enceradeira da “equipe Arno”, que muitos reputam como a “primeira moto”...

Chevrolet 3100 Pick Up 1954, Estados Unidos

















Chevrolet 3100 Pick Up 1954, Estados Unidos
Motor: 235 CI
Exterior: Verde (Juniper Green)
Interior: Bege e Verde
Fotografia

Fonte: https://rmsothebys.com/en/auctions/FL18/Fort-Lauderdale/lots/r0224-1954-chevrolet-3100-pickup/652014

Chevrolet Chevelle LS6 1970, Estados Unidos











Chevrolet Chevelle LS6 1970, Estados Unidos
Motor: 454/450HP
Exterior: Vermelho (Cranberry Red)
Interior: Preto
Fotografia

Link: https://www.mecum.com/lots/FL0119-357098/1970-chevrolet-chevelle-ls6/?fbclid=IwAR1WUokRgf_OnPfS-fNrhdZB9Y1y0wN9dYzWh-oHqzBG40gnRnO8I_c7tpI

Avenida Engenheiro Luís Carlos Berrini em 1969 e 2015, São Paulo, Brasil




Avenida Engenheiro Luís Carlos Berrini em 1969 e 2015, São Paulo, Brasil
São Paulo - SP
Fotografia

Ponte Cidade Jardim em 1969 e 2015, São Paulo, Brasil




Ponte Cidade Jardim em 1969 e 2015, São Paulo, Brasil
São Paulo - SP
Fotografia

Ponte do Morumbi em 1969 e 2015, São Paulo, Brasil




Ponte do Morumbi em 1969 e 2015, São Paulo, Brasil
São Paulo - SP
Fotografia