sexta-feira, 24 de janeiro de 2020

Mercedes Benz 540 K Coupe by Hebmuller 1937, Alemanha


















Mercedes Benz 540 K Coupe by Hebmuller 1937, Alemanha
Fotografia


The Mercedes-Benz 540 K was among the most prestigious and, in the eyes of many, the most beautiful European automobiles of the interwar years. The combination of its supercharged eight-cylinder power at 180 horsepower with the blower engaged, its light weight, and its sheer flamboyant beauty made it the master of the German road and a testimonial to the astonishing capabilities of the engineers who conceived it. It was also breathtakingly expensive in all its coachbuilt variants, guaranteeing exclusivity among its owners. Just 419 chassis were built, the majority delivered in one of eleven factory body styles produced by the famed Sindelfingen Werk.
Few 540 Ks were more beautiful than the second-generation Cabriolet A, of which only thirty-two examples were built. This design offered fuller front fenders that elegantly flowed rearward towards the rounded tail, which housed dual spare tires. The elegant styling and great power of the supercharged engine and its external exhausts were further enhanced via a feature identified colloquially as the “set-back radiator.” Referred to by the factory as Fahrgestell mit zurückgesetztem Motor, “chassis with setback motor,” in fact the radiator and entire drivetrain were positioned 185 mm farther back on the chassis than standard. This gave the car a completely different air, with a longer, more aggressive front end, which is most closely associated with the fabled Spezialroadster.
As a complete package, it ranks among the most elegant and graceful German coachwork of its era and today is among the most highly sought-after by enthusiasts. The survivors are prized, and the few truly unique examples that have been missing to the larger collecting world for half a century seldom if ever become available. Chassis 154143 was destined to become completely unique in its own right.
The 540 K offered here is noted by Daimler-Benz as having been ordered under commission number 233173 and delivered on 12 July 1937. The purchaser was Brabender GmbH, a company which still today supplies laboratory instruments for material testing in chemical and food processing industries. Located in Duisburg on the Rhine and Ruhr rivers, the Brabender 540 K was equipped with the chassis, engine, gearbox, and coachwork (save for the top) that it retains today.
According to the Hebmüller family, it was brought by its subsequent owner, the Henkel family of Düsseldorf, of Henkel & Cie. Chemical Works, to the Karrosseriewerke Joseph Hebmüller Söhne around mid- to late-1951. Hebmüller is a well-regarded coachbuilder established in Wuppertal in the late 19th century and, ironically, known for its cabriolet bodies. At its client’s instruction, Hebmüller removed the convertible top and windshield pillars and superbly integrated a new coupe roofline onto the factory Sindelfingen coachwork. It is interesting to note that at the same time, Hebmüller added a similar roofline to a 170 S cabriolet for a director of the Henkel industrial concern—arguably not a coincidence.
The flat windshield became a vee’d two-piece unit with crank-out windows; the door windows were changed to fit the new profile of the roof; extended skirts with chrome strips were added to the front fenders, as well as rectangular marker lights; and the rear of the body was modified to become slightly truncated, with more modern taillights installed and a metal cover added over the rear-mounted spares. Finished in a dark hue, the result was a handsome, highly sporting presentation reminiscent of the factory Spezialcoupe.
The Mercedes-Benz subsequently moved to the U.S. and was refinished in a two-tone scheme of cream with grey fenders and roof; a Golde canvas sunroof, not from the original Hebmüller conversion, had also been added by this time. Its earliest appearance in the United States was around 1954 with Henry A. Rudkin Jr., whose mother, notably, was the founder of the Pepperidge Farm bakery. In 1956 it appeared with Dr. William Hoffman of New York City.
Later it was acquired by John P. Quirk of Hastings, Nebraska; the special appearance was certainly not lost on Mr. Quirk, as he also simultaneously owned one of the Sindelfingen-bodied Spezialcoupes. Subsequently, both Mercedes were offered by him at auction in Denver, Colorado, in 1968, at which point chassis 154143 was acquired by the present owner’s parents and driven back to Nebraska. During the trip home, the car was repeatedly pulled over by the constabulary of the small towns they passed through, simply to ogle the car. This was to the great pleasure, if inconvenience, of the new owners. Maintained in working mechanical order by its new owner, the 540 K regularly made local appearances with its owner and his wife in period costumes, to the great admiration of the town’s history and classic car enthusiasts. The last opportunity for the locals to appreciate the Mercedes-Benz came in a county parade and car competition in 1980. The judging panel in this small agricultural city—perhaps hewing to what they knew best—awarded Best of Show to a restored John Deere antique tractor (it is worth noting that the owner’s 1957 Corvette also did not place). After this ignominious defeat, the owner put the car into the garage he had built himself specifically to protect and store it, and the 540 K coupe made no more public appearances until reemerging in late 2019.
That the coupe existed is known, but its whereabouts have remained largely a mystery, even to noted historian Jan Melin, who featured an older photograph of the car in his respected book, Mercedes-Benz: The Supercharged 8-Cylinder Cars of the 1930s. Accompanying the car's file is also a detailed history report prepared by a marque historian, including several additional period photographs depicting the product of Hebmüller’s work in the early 1950s. Today the 540 K remains in very solid, intact overall condition, still as it spent decades in its owner’s garage, with its 1960s paint scheme and red leather interior both showing considerable wear. Features of its “enthusiast era” restoration remain intact, including additional driving gauges mounted below the dashboard.
The coupe has most recently received a mechanical recommissioning by RM Auto Restoration to return it to running and stopping order, and it would be an interesting automobile to freshen mechanically and tour, or, perhaps, as the ideal basis for a complete concours restoration, be it as a coupe or Cabriolet A. Indeed, photographs of the car after completion by Hebmüller demonstrate the stunning result in a dark color with hardtop–these teasing images depict what could be, and it would arguably be among the most spectacular 540 K coupes when completed, an automobile equal to or greater in beauty than almost any other closed coachwork on this chassis. Either way, it would be a showstopper to see arrive at any concours d’elegance the world over.
Marking the rare opportunity to acquire one of the ultimate lost supercharged Mercedes-Benzes, the Missing Coupe has remained one of the great mysteries of the supercharged Mercedes world, long pursued, but never found...until now.

quinta-feira, 23 de janeiro de 2020

Volkswagen Type II Transporter Single Cab 1958, Alemanha

















Volkswagen Type II Transporter Single Cab 1958, Alemanha
Motor: 1192 CC/36 HP
Exterior: Azul (Capri Blue)
Interior: Azul e Cinza
Fotografia

Rare 1958 Transporter Volkswagen truck
Split windshield
Body-off restoration
51,000 actual miles
Finished in Capri Blue with White bumpers
New Black and Gray interior
New wood bed
1192cc/36 HP 4-cycle engine
4-speed transmission
Detailed engine compartment
Show quality restoration
Period correct bias ply tires with steel wheels and hubcaps
Front disc brakes
Finished in Capri Blue with white bumpers and a new black and gray interior, this 1958 Volkswagen Single Cab Transporter Pickup is an especially surprising discovery, given the model’s rarity and the stunning condition seen here. Benefiting from a body-off restoration, the split-windshield single cab has only covered 51,000 miles from new, making it a fantastic specimen to restore. The bed features new wood, and nearly every component seems to have been addressed with the goal of taking this Transporter back in time, back when it was new—and they seem to have achieved that goal. From the period-correct bias-ply tires wrapping the steel wheels, which are painted to match the bumpers and topped by gleaming hubcaps, and rubber floormats as dictated by the factory so long ago to the detailed engine and engine compartment to the fasteners holding it all together, this Volkswagen pickup transports viewers to another era. It would be fun to think if that’s why it was called Transporter. Built to be enjoyed, drivers will love the front disc brakes and everyone will appreciate the absolute simplicity of these Volkswagens. Simple vinyl upholstery and all-steel construction made these some of the most utilitarian vehicles in history. In a unique twist to pickup production, and because the rear engine commanded a slightly higher-than-normal bed height, the sidewalls can unlatch and fold down to allow much easier access for loading and unloading of materials. The smaller stature of the Volkswagen Transporter inspired many manufacturers to bring similar vehicles to market, but it seems true that none quite achieved the popularity of the Transporter. This one, presenting so well and appearing in such condition, is a wonderfully rare catch that’s sure to bring smiles to most everyone’s face.


Plymouth Belvedere 1959, Estados Unidos


















Plymouth Belvedere 1959, Estados Unidos
Fotografia


Big-Fin Belevedere Hardtop
Older restoration
Dual quad 318 CI V-8 engine
Two 4-barrel carburetors
Push-button automatic transmission
Swivel bucket seats
Tinted windshield
Dual exhaust
Dual rear antennas
Simulated spare tire in trunk lid
Rear bumper guards
14-inch wheels
Full size wheel covers
Bias-ply 8.00x14 wide whitewall tires
AM radio in dash and upgraded Pioneer CD player under the dash with auxiliary gauges
Popular color combination of Beige with Gray and White interior
Hard to find high performance car from the late 1950s big fin era
They called it the Forward Look, and this big-fin Plymouth Belvedere hardtop from the final years of the 1950s lives up to that title. Boasting a well-preserved older restoration, this special car from 1959 highlights one of the most impressive styling packages of that decade. Moreover, this Belvedere model is in a deluxe form with excellent appointments. Underneath the hood here is the early series 318 A-engine, in this instance upgraded with the era’s previously utilized V-800 dual 4-barrel intake and carburetors complete with twin air cleaners from 1957, paired with dual exhaust and backed by the pushbutton automatic transmission. Of course, the car rides on the excellent Torsion-Aire suspension as well. Inside is also upscale, as it features the scarcely seen swivel bucket seats, covered in a refined gray-and-white interior upholstery. An additional refinement here is the AM radio visible in the dash, but a more modern Pioneer CD player tucked under the dash with additional auxiliary gauges. A tinted windshield, dual rear antennas and the simulated spare tire stamped into the trunk lid all help add to this car’s era-specific appeal. A set of rear bumper guards help enhance the styling revisions for the ’59 model. This car is painted in beige with chrome side-spear and lower rocker trim, Flite-Swept tailfins, the cubist grille design and twin-brow headlamps. Riding on 14-inch wheels, the full-size wheel covers come to a centered point and bias-ply 8.00x14 wide whitewall tires complete the look and feel of driving a car from the time period. With a color combination of beige with a gray and white interior, this version represents what would have been the fresh visual appearance of the time. With hard-to-find high-performance components from the late 1950s big-fin era as a bonus, this could be a great candidate for those who have desired to have one of Virgil Exner’s legendary designs to call their own.

Filosofia de Internet - Humor


Filosofia de Internet - Humor
Humor

Dodge 1/2 Ton PickUp 1947, Estados Unidos












Dodge 1/2 Ton PickUp 1947, Estados Unidos
Motor: 217 CI
Fotografia


Treadstone 2019 - Treadstone


Treadstone 2019 - Treadstone
Série de TV
Estados Unidos - 44 minutos
Poster da série

Hotel Lobby (Hotel Lobby) - Edward Hopper





Hotel Lobby (Hotel Lobby) - Edward Hopper
Indianapolis Museum of Art, Indianapolis, Estados Unidos
OST - 1943


The painting depicts two women and a man in the lobby of a hotel. On the right is a woman with blond hair and a blue dress, sitting with her legs crossed and reading a book. To the left sits an older woman with a red dress, a coat and a hat. A man stands next to her, facing forward, with a suit on and an overcoat draped over his right arm. On the left wall, above the woman, is a framed landscape painting. A clerk behind the reception desk is barely visible in the shadows.
Hotel Lobby is a signature piece in Hopper's work, displaying his classic themes of alienation and brevity. The Hoppers traveled frequently, staying in many motels and hotels throughout his career. This is one of two works in his catalog that depicts a hotel, the other being Hotel Window (1955). It is also one of the two paintings that he created in 1952, both of which dealt with alienated couples. The older couple are believed to represent Hopper and his wife, themselves in their 60s. The hotel guests have been described as being "both traveling and suspended in time," reflecting a stoic and dramatic feeling, reminiscent of the film noir movies Hopper might have seen and the complex structure and feeling of works by Edgar Degas.

Motel Western (Western Motel) - Edward Hopper


Motel Western (Western Motel) - Edward Hopper
Yale University Art Gallery New Haven Estados Unidos
OST - 77x128 - 1957


Edward Hopper found inspiration in the commonplace of American life. In Western Motel, an anonymous motel bedroom becomes a symbol of the mobility and rootlessness of modern life. The spare furnishings, stark interior, and sharp bands of light produce a composition of masterful simplicity, yet one that is layered with psychological ambiguity. The woman staring across the room does not seem to see us; the pensiveness of her stare and her tense posture accentuate the sense of some impending event. She appears to be waiting: the luggage is packed, the room is devoid of personal objects, the bed is made, and a car is parked outside the window.