Galocha Cultural

segunda-feira, 12 de outubro de 2020

Rua Aurora, Recife, Pernambuco, Brasil

Rua Aurora, Recife, Pernambuco, Brasil
Recife - PE
Fotografia - Cartão Postal

Sala Moderna (Modern Room) - Roy Lichtenstein

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Litografia, xilogravura e serigrafia - 127x189 - 1990

A Sala de Estar (The Living Room) - Roy Lichtenstein

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Xilogravura e serigrafia - 132x167 - 1990

domingo, 11 de outubro de 2020

Blackglama Judy Garland (Blackglama Judy Garland) - Andy Warhol

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Serigrafia - 96x96 - 1985

he American Legend Cooperative (ALC) was an agricultural marketing cooperative of mink fur farmers in the United States and Canada, best known for its Blackglama and American Legend brands of fur. American Legend was formed in 1986 as a merger of the Great Lakes Mink Association (GLMA) and the Mutation Mink Breeders Association (EMBA). It was acquired by North American Fur Auctions in 2018. The Great Lakes Mink Association (GLMA) was formed in 1941 by mink breeders in the Great Lakes region of the United States who bred a black-furred mink which they characterize as "the richest, deepest, most lustrous dark mink with the lightest, most flexible leather", and trademarked it as Blackglama. Their long-running advertising campaign is known by the tagline "What becomes a legend most?", featuring a series of celebrities modeling their furs. The name "Blackglama" is a play on the word "glamor" and the initialism "GLMA". The Mutation Mink Breeders Association (MMBA) was formed in 1942 by mink ranchers specializing in clear bright fur colors, to which they gave distinctive trade names: Autumn Haze (brown), Desert Gold (light brown), Argenta (grey), Cerulean (blue), Lutetia (gunmetal), Azurene (pale grey), Jasmine (white), Tourmaline (pale beige), Arcturus (lavender beige), Diadem (pale brown), Aeolian (grey taupe). In 1948, they adopted the name EMBA; EMBA used the trademark "The American Mink". In April 2018, North American Fur Auctions acquired the American Legend Cooperative and its Blackglama brand.

Paramount (Paramount) - Andy Warhol

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Serigrafia - 96x96 - 1985

Life Savers (Life Savers) - Andy Warhol

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Serigrafia - 96x96 - 1985

Life Savers is an American brand of ring-shaped hard and soft candy. Its range of mints and fruit-flavored candies is known for its distinctive packaging, coming in paper-wrapped aluminum foil rolls. Candy manufacturer Clarence Crane of Garrettsville, Ohio (father of the poet Hart Crane) invented the brand in 1912 as a "summer candy" that could withstand heat better than chocolate. The candy's name is due to the fact that its shape resembles that of a traditional ring-style life preserver also known as a "life saver". After registering the trademark, Crane sold the rights to his Pep-O-Mint peppermint candy to Edward John Noble for $2,900. Instead of using cardboard rolls, which were not very successful, Noble created tin-foil wrappers to keep the mints fresh. Noble founded the Life Savers and Candy Company in 1913 and significantly expanded the market for the product by installing Life Savers displays next to the cash registers of restaurants and grocery stores. He also encouraged the owners of the establishments to always give customers a nickel in their change to encourage sales of the 5¢ Life Savers. The slogan "Still only 5 cents" helped Life Savers to become a favorite treat for children with a tight allowance. Since then, many different flavors of Life Savers have been produced. The five-flavor roll first appeared in 1935. A series of mergers and acquisitions by larger companies began in 1956. Life Savers is currently a property of Mars, Incorporated. In recent decades, the brand expanded to include Gummi Savers in 1992, Life Saver Minis in 1996, Creme Savers in 1998, and Life Saver Fusions in 2001. Discontinued varieties include Fruit Juicers, Holes, Life Saver Lollipops, and Squeezit. In 1995, a Life Savers drink was introduced to compete with Snapple and Fruitopia, but it was quickly discontinued. Life Savers was first created in 1912 by Clarence Crane, a Garrettsville, Ohio, candy maker (and father of the famed poet Hart Crane). Clarence had switched from the maple sugar business to chocolates the year before, but found that they sold poorly in the summer, because air conditioning was rare and they melted. He saw a machine pharmacies used to make pills that were round and wafer-shaped, and thought he'd use those to make mints, which at the time were made square (because they were pressed in sheets and then sliced into squares). The machinery could also punch a hole in the center, and Crane named the candy after its resulting life preserver shape. In 1913, Crane sold the formula for his Life Savers candy to Edward Noble of Gouverneur, New York for $2,900. Noble started his own candy company and began producing and selling the mints known as Pep-O-Mint Life Savers. He also began to package the mints into rolls wrapped in tin foil to keep them from going stale. This process was done by hand until 1919 when machinery was developed by Edward Noble's brother, Robert Peckham Noble, to streamline the process. Robert was a Purdue-educated engineer. He took his younger brother's entrepreneurial vision and designed and built the manufacturing facilities needed to expand the company. The primary manufacturing plant for Life Savers was located in Port Chester, New York, a local landmark replete with a Life Savers motif cast into the cornice. Robert led the company as its Chief Executive Officer and primary shareholder for more than 40 years, until selling the company in the late 1950s. By 1919, six other flavors (Wint-O-Green, Cl-O-Ve, Lic-O-Rice, Cinn-O-Mon, Vi-O-Let and Choc-O-Late) had been developed, and these remained the standard flavors until the late 1920s. In 1920, a new flavor called Malt-O-Milk was introduced. This flavor was received so poorly that it was discontinued after only a few years. In 1925, the tinfoil was replaced with aluminum foil. Noble promoted the candy at the cash registers of saloons, cigar stores, drug stores, barber shops, and restaurants. He had the candy placed, with a five-cent price, near the cash register. In 1921, the company began to produce solid fruit drops. In 1925, technology improved to allow a hole in the center of the fruit candies. These were introduced as the "fruit drop with the hole" and came in Orange, Lemon and Lime, each of which were packaged in their own separate rolls. In contrast to the opaque white mints previously produced by the company, these new candies were crystal-like in appearance. These new flavors quickly became popular with the public. Four new flavors were quickly introduced, namely, anise, butter rum, cola and root beer, which were made in the clear fruit drop style. These did not prove to be as popular as the three original fruit drop flavors. In 1931, the Life Savers "Cough Drop" was introduced with menthol, but it was not successful. In 1931, rolls of pineapple and cherry fruit drops were also introduced. As the public response proved positive for these, a new variety of mint called Cryst-O-Mint, made in this same crystal-like style, was introduced in 1932. In 1935, the classic "Five Flavor" rolls were introduced, offering a selection of five different flavors (pineapple, lime, orange, cherry, and lemon) in each roll. This flavor lineup was unchanged for nearly 70 years, until 2003, when three of the flavors were replaced in the United States, making the rolls pineapple, cherry, raspberry, watermelon, and blackberry. However, orange was subsequently reintroduced and blackberry was dropped. The original five flavor lineup is still sold in Canada. In the late 1930s and early 1940s, four new mint flavors were introduced: Molas-O-Mint, Spear-O-Mint, Choc-O-Mint and Stik-O-Pep. During the Second World War, other candy manufacturers donated their sugar rations to keep Life Savers in production so that the little candies could be shared with Armed Forces as a tasty reminder of life at home. Soon after the war ended, the manufacturing license was withdrawn. In 1947, U.K.-based Rowntree's—which formerly had been licensed to make Life Savers—started to manufacture a similar product called the Polo mint. In 1981, Nabisco Brands Inc. acquired Life Savers from the E.R. Squibb Corporation. A number of early mint flavors, including Cl-O-Ve, Vi-O-Let, Lic-O-Rice and Cinn-O-Mon were discontinued due to poor sales. Nabisco introduced a new Cinnamon flavor ("Hot Cin-O-Mon") as a clear fruit drop-type candy. This replaced the white mint flavor Cinn-O-Mon, which had recently been discontinued. The other original mint flavors were retired. A number of other flavors were also quickly discontinued, after Nabisco took over, in order to make the business more profitable. In 2004, the U.S. Life Savers business was acquired by Wrigley's. Wrigley's introduced two new mint flavors (for the first time in over 60 years) in 2006: Orange Mint and Sweet Mint. They also revived some of the early mint flavors (such as Wint-O-Green). Life Savers production was based in Holland, Michigan, until 2002 when it was moved to Montreal, Québec, Canada. Significantly lower sugar prices in that country were the reason behind the move. The company's headquarters in Port Chester, New York, where Life Savers were made from 1920 until 1984, was distinctive. Although it has been converted to apartments, it still retains some Lifesavers signage. It was added to the National Register of Historic Places in 1985.

Os Irmãos Marx (The Marx Brothers) - Andy Warhol

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Serigrafia - 101x81 - 1980

Howdy Doody (Howdy Doody) - Andy Warhol

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Serigrafia - 96x96 - 1981

Howdy Doody is an American children's television program (with circus and Western frontier themes) that was created and produced by E. Roger Muir and telecast on the NBC network in the United States from December 27, 1947, until September 24, 1960. It was a pioneer in children's television programming and set the pattern for many similar shows. One of the first television series produced at NBC in Rockefeller Center, in Studio 3A, it was also a pioneer in early color production as NBC (at the time owned by TV maker RCA) used the show in part to sell color television sets in the 1950s. Buffalo Bob Smith created Howdy Doody during his days as a radio announcer on WNBC. At that time, Howdy Doody was only a voice Smith performed on the radio. When Smith made an appearance on NBC's television program Puppet Playhouse on December 27, 1947, the reception for the character was great enough to begin a demand for a visual character for television. Frank Paris, a puppeteer whose puppets appeared on the program, was asked to create a Howdy Doody puppet. Bob Smith, the show's host, was dubbed "Buffalo Bob" early in the show's run (a reference both to the historical American frontier character Buffalo Bill and Smith's hometown of Buffalo, N.Y.). At first the set was supposed to be a circus tent, but soon was changed to a western town. Smith wore cowboy garb, as did the puppet. The name of the puppet "star" was derived from the American expression "howdy doody"/"howdy do," a commonplace corruption of the phrase "How do you do?" used in the western United States. (The straightforward use of that expression was also in the theme song's lyrics.) Smith, who had gotten his start as a singing radio personality in Buffalo, frequently used music in the program. Cast members Lew Anderson and Robert "Nick" Nicholson both were experienced jazz musicians. As both the character and television program grew in popularity, demand for Howdy Doody-related merchandise began to surface. By 1948, toymakers and department stores had been approached with requests for Howdy Doody dolls and similar items. Macy's department store contacted Frank Paris, the creator of the puppet, to ask about rights for a Howdy Doody doll. However, while Paris had created the puppet, Bob Smith owned the rights to the character. An argument ensued between the two men, Paris claiming he felt he was being cheated out of any financial benefits. After one such disagreement, Paris took the puppet and angrily left the NBC studios about four hours before the show was to air live. It was not the first time this happened, leaving the live program with no "star". With Paris's past disappearances, impromptu excuses regarding the whereabouts of Howdy Doody had been hastily concocted. This time, an elaborate explanation was offered—that Howdy was busy with the elections on the campaign trail. NBC hurriedly constructed a map of the United States, which allowed viewers, with the help of Smith, to learn where Howdy was on the road. The explanation continued that while on the campaign trail, Howdy decided to improve his appearance with some plastic surgery. This made it possible for the network to hire Disney animator Mel Shaw and his business partner Bob Allen to design (refer to U.S. Patent D156687 for a "new, original, and ornamental design" for the puppet) and Velma Wayne Dawson to build and operate a more handsome and appealing visual character than Paris' original, which had been called "the ugliest puppet imaginable" by Bob Smith. Since Paris did not provide the voice of the character, Howdy's voice would stay the same after his appearance changed. The puppet which is remembered as the "original" Howdy Doody replaced Paris's original. Howdy Doody himself was a freckle-faced boy marionette with 48 freckles, one for each state of the union at the time of his creation (up until January 3, 1959, when Alaska became the 49th state), and originally was voiced by Buffalo Bob Smith. The Howdy Doody show's various marionettes were created and built by puppeteers Dawson, Scott Brinker (the show's prop man), and Rufus Rose throughout the show's run. The redheaded Howdy marionette on the original show was operated with 11 strings: two heads, one mouth, one eye, two shoulders, one back, two hands and two knees. Three strings were added when the show returned—two elbows and one nose. The original marionette now resides at the Detroit Institute of Arts. There were duplicate Howdy Doody puppets, designed to be used expressly for off-the-air purposes (lighting rehearsals, personal appearances, etc.), although surviving kinescope recordings clearly show that these duplicate puppets were indeed used on the air occasionally. "Double Doody", the Howdy stand-in puppet, now is in the collection of the Division of Culture and the Arts at the Smithsonian National Museum of American History. Photo Doody is the near-stringless marionette that was used in personal appearances, photos, parades, and the famed NBC test pattern. He was sold by Leland's Sports Auction House in 1997 for more than $113,000 to a private art collector, TJ Fisher. After the death of Bob Smith, a fierce legal and custody battle for the original Howdy Doody puppet erupted among his heirs, the Rufus Rose estate, and a museum to which the marionette had been bequeathed. Howdy once again was in the news, with his face and story making headline broadcast, wire, talk show and print news around the world. For a while, during the tug-of-war fight, the puppet was held in a bank safe deposit box while the saga played out in the federal courts. During one day of deposition, puppetmaker Semok (who had performed various maintenance and re-painting of the original Howdy marionette beginning in 1989) was called upon to unseal a trap door on the back of the puppet's head; Velma Dawson, the puppet's original builder, who was 88 at the time of the deposition, was present and given the opportunity to examine the inside of the head in an effort to verify that the puppet in question was the original she created. Despite 50 years of numerous repairs, repaints, and replaced body parts, Dawson eventually declared the head of the puppet to be the one she originally made in 1948. The Detroit Institute of Arts ultimately prevailed and has custody of the original Howdy.

Latas de Tinta (Paint Cans) - Wayne Thiebaud

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Litografia - 75x58 - 1990

Marilyn Monroe (Marilyn) - Andy Warhol

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Serigrafia - 91x91 - 1967