O Alegre Beberrão (The Merry Drinker) - Frans Hals
Rijksmuseum, Amsterdã, Holanda
OST - 81x66 - 1628-1630
This militiaman merrily raises his glass to toast us – who would
not wish to join him? The execution is just as free and easy as the sitter
himself: the swift, spontaneously applied brushstrokes enhance the portrait’s
sense of liveliness and animation. The man actually seems to be moving. This
bravura painting style ensured the continued success of Frans Hals.
A composição acima é uma pintura de gênero. Nela, o pintor
emprega tons claros e o uso de larga área fortemente colorida para efeito de
contraste. Pela posição em que se encontra, tem-se a impressão de que o
retratado, impregnado de vitalidade, foi congelado no tempo, com seus lábios
entreabertos, como se estivesse prestes a proferir alguma palavra, com a
mão direita aberta, num gesto típico que acompanha a fala, como se fotografado
tivesse sido.
The painting shows a man wearing a leather jerkin, lace collar
and cuffs, and a floppy hat tipped at an angle. He is gesturing with his right
hand and holding a glass of white wine in his left hand. He seems caught in a
moment of discussion with the viewer. A medallion dangles from his neck chain,
which Hofstede de Groot claimed was a likeness
of Prince Maurice of Orange. Various experts have claimed
the painting represents the sense of taste. In old Dutch inventories, the theme
of a "merry drinker" or "jolly toper" occurs often, and
this was probably not a portrait but meant as a genre piece.
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