segunda-feira, 28 de outubro de 2019

Mercedes Benz 560 SEC AMG 6.0 Wide-Body 1991, Alemanha


















Mercedes Benz 560 SEC AMG 6.0 Wide-Body 1991, Alemanha
Fotografia


Before the AMG merger with Mercedes-Benz that tentatively began with the C36 AMG in 1993, AMG existed as an independent tuning house, founded in 1967 and primarily offering a range of unofficial upgrade and accessories packages for Mercedes-Benz automobiles. Typical AMG enhancements included displacement increases, high-performance engine top-end rebuilds, lightened valve trains and more aggressive cams, alongside bodykits, wheels, interior upgrades, and aerodynamic components.
In 1989 the jewel in the collection of AMG offerings was the engine conversion for the W126 560 SEC and SEL. It consisted of taking the stock 5.5-litre M117 unit and boring it out to 6.0 litres before equipping it with bespoke four-valve, dual-overhead-camshaft, three-piece, sand-cast cylinder heads. The final product was capable of close to 400 bhp and twice the torque at half the engine speed of the original 5.6-litre Mercedes engine. AMG also offered other enhancements for the W126, and if one ticked every box, the result would be similar to this particular 560 SEC AMG.
Built for the 1991 model year, this example retains its factory specification of Blauschwarz Metallic with black leather interior. It is believed to have been delivered originally to Japan, whereupon AMG carried out a comprehensive upgrade to bring it to full ‘AMG 6.0 Widebody’ specification. This includes all the aforementioned engine upgrades alongside the distinctive AMG-designed doors, front and rear bumpers, and wider wings that accommodated far wider two-piece wheels clad in high-performance tyres. Inside, the enhancements include electronically adjustable sports seats, an upgraded instrument cluster, extended walnut trims, and AMG steering wheel and over-mats. Its condition suggests a lifetime of care and diligent attention, and it is a testament to its previous owners. Purchased by a previous owner in Ontario, Canada, out of Japan, the car was acquired by the consignor and exported to Switzerland in 2017.
It is believed that barely fifty of these AMG-tuned 560 W126s exist; they are extremely sought-after cars. This wonderfully menacing example would be a fantastic addition to any collection, especially one focused on modern classics or pre-merger AMGs.

Alfa Romeo Giulietta Sprint Speciale Coupé Coachwork by Carrozzeria Bertone 1961, Itália














Alfa Romeo Giulietta Sprint Speciale Coupé Coachwork by Carrozzeria Bertone 1961, Itália
Fotografia


1961 Alfa Romeo Giulietta Sprint Speciale Coupé
Coachwork by Carrozzeria Bertone
Registration no. 167 YUJ
Chassis no. AR101 20 00415
*One of only 1,366 produced
*Imported from Italy in 2013
*Left-hand drive
*Full UK history
*FIVA identity card
With the introduction of the Giulietta, Alfa Romeo established the 'small car, big performance' formula that would characterise the Milanese marque's finest offerings from then on. First of the Giuliettas, the Bertone-styled Giulietta Sprint Coupé debuted at the Turin Motor Show in April 1954 powered by a 1.3-litre, all-alloy version of Alfa's classic twin-cam four designed by one-time Ferrari engineer Giuseppe Busso. The original Sprint Coupé was soon joined by Berlina (saloon) and Spider (open) versions. The Giulietta family's success surprised even Alfa themselves; production targets were revised upwards and to satisfy demands for increased performance, upgraded 'Veloce' versions of the Sprint coupé and Spider convertible were introduced for 1956.
In 1957 Alfa Romeo introduced the model now recognised as the ultimate Giulietta - the Sprint Speciale – which was the first of the new 101-Series cars. Built on a slightly shorter wheelbase than the standard Sprint, and the work of Carrozzeria Bertone's Franco Scaglione, the mouth-wateringly curvaceous 'SS' came with 97bhp on tap, a five-speed gearbox, and a top speed of 200km/h (125mph) – a level of performance hitherto unimaginable for a 1.3-litre car. Compact, aerodynamically efficient, and very powerful for its size, the SS proved highly successful in 1,300cc class racing the world over. A mere 1,366 had been produced by the time the model was superseded in 1963 by the 1,600cc Giulia version, which was the only car in the new range to retain an existing Giulietta body style. Today both of these rare models are highly prized by Alfa Romeo aficionados.
Representing a wonderful opportunity to own one of these rare and highly desirable Alfa Romeos, this Giulietta Sprint Speciale was imported into the UK in 2013 and comes with all MoTs and service/maintenance history accumulated since then. Finished in Rosso with contrasting grey interior (some of which still retains the original plastic covering), the Giulietta is offered with Italian paperwork, an Alfa Romeo UK letter of authenticity, FIVA identity card, V5C Registration Certificate, and (although no longer necessary) a fresh MoT. A head-turner wherever it goes, this stunning Giulietta Sprint Speciale is a 'must have' for connoisseurs of automobile design.

Bugatti Type 57 Atalante Faux Cabriolet 1935, França

























Bugatti Type 57 Atalante Faux Cabriolet 1935, França
Fotografia


1935 Bugatti Type 57 Atalante
Coachwork by Bugatti
Registration no. DYF 4
Chassis no. 57252
*One of only three Type 57s completed with Atalante coachwork
*The only known survivor
*Known ownership history
*Original chassis, engine, gearbox, and body, etc - all numbered and matching
*Acquired by the late Barry Burnett in 2008
*Recently serviced and got running by Edwards Motorsport
'The car sped along at 80mph with the comfort and quietness one associates with the Type 57... We were quite willing to believe that Jean Bugatti has achieved the 435 kilometres to Paris in just under 1½ hours in the Type 57 - an average of 77mph...' - Motor Sport, May 1939.
By the early 1930s Ettore Bugatti had established an unrivalled reputation for building cars with outstanding performance on road or track; the world's greatest racing drivers enjoying countless successes aboard the Molsheim factory's products and often choosing them for their everyday transport. Because of its lengthy run of success, Ettore Bugatti remained stubbornly committed to his single-cam engine, only adopting the more advanced double-overhead-camshaft method of valve actuation, after much prompting by his eldest son Jean, on the Type 50 of 1930. From then on Jean Bugatti took greater responsibility for design, his first car being the exquisite Type 55 roadster, a model ranking among the finest sports cars of the 1930s. He followed that with a design of equal stature, the Type 57. A larger car than the Type 55, the Type 57 was powered by a 3.3-litre, double-overhead-camshaft straight eight of modern design housed in Bugatti's familiar Vintage-style chassis. Showing the strong influence of Jean Bugatti, it at last gave the marque a civilised Grande Routière to match those of rivals Delage and Delahaye.
The Type 57 attracted coachwork of the finest quality executed in a startling variety of styles but was no mere rich man's plaything, as evidenced by two outright wins at Le Mans; proof, if it were needed, that ancestral virtues had not been abandoned when creating a car fit to rank alongside Rolls-Royce or Bentley. Its success is revealed by the production figures: some 670-or-so examples of all Type 57 models were produced between 1934 and 1940, and the post-war Type 101 was based on its chassis. However, although many Type 57s were fitted with bespoke bodies, the most popular coachwork was built to Jean Bugatti's designs by the marque's preferred carrossier, Gangloff of Colmar, just a few miles from the Bugatti works at Molsheim. Factory offerings on the Type 57 chassis included the Galibier four-door saloon, Stelvio cabriolet, four-seater Ventoux coupé, and two-seater Atalante faux cabriolet (coupé). In Greek mythology, the athletic huntress Atalanta would only marry a man that could out-run her; it is thus a most appropriate appellation for this fast, exotic and very stylish Bugatti.
The Type 57 in all its forms attracted discerning owners who were only satisfied with the best, among them speed king Sir Malcolm Campbell. Himself the owner of a Type 57, he wrote: 'If I was asked to give my opinion as to the best all-round super-sports car which is available on the market today, I should, without any hesitation whatever, say it was the 3.3 Bugatti... it cannot fail to attract the connoisseur or those who know how to handle the thoroughbred. It is a car in a class by itself.'
This fine Bugatti Type 57 – number '57252' – started life as one of 10 'Grand Raid' two-seater sports roadster chassis but actually left the factory as one of three completed with Atalante coachwork. As we have seen, the Type 57 had been intended as a Grande Routière rather than an out-and-out sports car. However, during the autumn of 1934 Bugatti began exploring the possibility of a building a Type 57 two-seater roadster, and on 15th September 1934 a design (number '1067') for such a model was produced. By the time the car was presented at the Paris Salon de l'Automobile in October '34, the name 'Grand Raid' had been adopted.
This car carries the earliest chassis number of the three Atalante versions made; the fate of the other two cars is not known. It should be noted that the name 'Atalante' was not recorded in the sales register until later on; early examples, including the three mentioned above, were classified simply as 'faux cabriolet' (i.e. fixed-head coupé). Factory records list the coachwork as 'Usine Fx cabriolet'.
'57252' left the factory on 18th May 1935 and went to the agent Monestier in Lyon, France for their client named Perrot. The next owner's name was Docime. Sold subsequently by Paris-based motor trader, Ben Saschoua, the Bugatti passed into the ownership of Michel Dovaz, whose fabulous collection is the subject of the book 'Fate of the Sleeping Beauties'. This car is featured in the book.
In 1956 the Bugatti was purchased from Dovaz by Jean De Dobbeleer, who sold it on in 1957 to a collector named Greenlee in the USA. Greenlee was followed by John North (1979), then Messrs Dixon, Jones, Guido Artom (Italy, 1988), Peter Rae (in the UK) and the late Barry Burnett (from 2008). Barry acquired the Type 57 from Peter Rae as a straight swap for a unique Delage.
Unusually, 57252' retains its original chassis, engine (number '195'), gearbox, and body, etc, all numbered and matching. The only component that has been changed is the rear axle/differential; indeed, the failure of the original differential in the 1950s and the Bugatti's resulting immobility is what preserved it in such remarkably complete and original condition.
Apart from some private correspondence on file, '57252' has evidently been relatively unknown for the last 50 years, even to the extent that it has been referred to as 'whereabouts unknown' in the last two authoritative works on the Type 57s and Grand Raid cars by Pierre Yves Laugier and by Simon/Kruta.
'57252' was completely restored during Peter Rae's ownership, there being numerous related invoices on file. Dating from 2005 to 2008, they were issued by various recognised specialists including SCA Classic Restoration, Mitchell Motors, KA Developments, Coachbuilt Horsepower Ltd, Ian Skinner Coachbuilding, Crosthwaite & Gardiner Ltd, Ivan Dutton, and Tula Engineering, the latter being responsible for the engine rebuild. Over £100,000 was spent on the engine alone!
The car was restored with extremely close attention paid to conservation and originality; everything possible has been conserved and every single component refurbished to the very highest possible standard. Sadly, the wings had endured a hard life and were deemed unusable, so new examples were faithfully fabricated to the original pattern. The complete rear axle was replaced using what is believed to be the last 'new old stock' example available, and the Bugatti also benefits from an overdrive conversion and fluid-filled damper by Ivan Dutton. This car now carries the registration 'DYF 4', which once graced the Type 57S belonging to Sir Malcolm Campbell.
Following a period in storage, the Bugatti has recently been serviced and brought to running condition by Edwards Motorsport. Offered with a comprehensive history file, this exceptional Type 57 Atalante would be an ideal candidate for touring, rallies, leisure driving and any of the world's most prestigious concours events: Pebble Beach, Villa d'Este, Amelia Island, etc.

Viaduto do Chá, 1916, São Paulo, Brasil

Viaduto do Chá, 1916, São Paulo, Brasil
São Paulo - SP
Fotografia

Filosofia de Internet - Humor


Filosofia de Internet - Humor
Humor

Nota do blog: Pior que tem muitos assim...

Yamaha RD 350 LC, A Esportiva Nacional dos Anos 80, Brasil







Yamaha RD 350 LC, A Esportiva Nacional dos Anos 80, Brasil
Fotografia



A fama da Yamaha no Brasil dos anos 1970 foi construída com grande ajuda da RD 350. A leve e rápida 2 tempos japonesa apelidada de Viúva Negra. Foi importada até 1974, quando a alíquota de importação subiu e a marca trouxe o último lote do Japão. Nessa época a Yamaha inaugurava uma fábrica em Guarulhos (SP) para produção local da RD 50. O foco passaria da importação à nacionalização de modelos de menor cilindrada e baixa complexidade tecnológica. De 1976 a 1979 os mercados internacionais ainda conheceram uma RD 400, com motor ampliado e linhas atualizadas.
A história da RD 350 nacional começou só em 1980, quando a Yamaha lançou uma nova moto no exterior. Era a RD 350 LC, com adição do “Liquid Cooled” ao nome (“refrigerada a líquido”). O propulsor de 2 cilindros paralelos também incorporava o sistema de válvulas de escapamento YPVS, para restringir a saída de gases em baixas rotações e melhorar a performance urbana.
Duas Rodas causou alvoroço ao publicar uma avaliação do modelo em setembro de 1984. A unidade importada estava no Brasil para testes e desenvolvimento de componentes nacionais pela Yamaha. E a novidade não era apenas a nacionalização da “moto de competição domesticada para as ruas”. Nesse texto Duas Rodas revelava que a produção ocorreria numa nova fábrica da marca em Manaus (AM). A nova planta na Zona Franca viabilizaria a produção de modelos de maior cilindrada e complexidade com alguns componentes importados. As primeiras da lista seriam RD 350 LC e XT 600Z Ténéré.
A unidade cedida pela Yamaha foi testada em ruas, estradas e no autódromo de Interlagos. Alcançou 186 km/h e antecipava um novo patamar de desempenho para as motos nacionais. Em junho de 1985, já perto da data de lançamento prevista, a mesma RD foi comparada à Honda CB 450. A construção da fábrica estava atrasada em quase um ano e o lançamento só aconteceria no fim de 1986. Até lá a Honda já teria reagido importando a CBX 750F e encaminhando a nacionalização para 1987. Embora rivalizassem na performance, seriam modelos de concepções e preços muito diferentes.
O modelo nacional da RD 350 LC já teria as atualizações apresentadas naquele mesmo ano no exterior. Incorporava uma carenagem frontal fixa com farol retangular e rabeta redesenhada com lanterna também retangular, seguindo o design da esportiva topo de linha RD 500 LC, com motor V4. Mais aerodinâmica e com os mesmos 55 cv beirava 200 km/h, acelerando a 100 km/h na casa de 5 segundos. O desempenho era muito superior ao da CB 450 e mais próximo da nova 750 de 4 cilindros. Depois de nacionalizada em 1987 a CBX 750F teve o preço reduzido, mas ainda custava o dobro da RD.
Apesar das comparações de desempenho entre RD e CBX, as motos nacionais mais velozes dos anos 1980 tinham conceitos diferentes. A Honda era confortável, grande e pesava 80 kg a mais que a esguia RD com seu motor de 2 cilindros. Um comparativo em Interlagos comprovou que a Yamaha levava vantagem nas curvas do miolo e a Honda recuperava nas retas.
No processo de nacionalização a taxa de compressão foi reduzida de 7,2:1 para 5:1, por causa da pior qualidade da gasolina. Os dois carburadores Mikuni 26 tiveram os giclês de alta aumentados para reduzir o risco de quebra do pistão. E as câmaras de combustão foram simplificadas sem o formato hemisférico que permitia ao modelo atingir 59 cv no exterior. No Brasil, o topo da câmara era um cone reto, como na trail DT 180, e não arredondada. Por outro lado, a suspensão dianteira mantinha regulagem pneumática e os pneus não usavam câmara pela primeira vez no país. Dois itens que foram suprimidos da CBX nacional.
Pouco mudaria na Yamaha RD 350 LC até o fim da produção, em 1993. As principais atualizações ocorreram na carenagem, que recebeu adição de peças laterais para cobrir o motor a partir de 1988. Para 1991 a mudança foi maior, com novo formato e dois faróis redondos no lugar do retangular.
Nota do blog: Data e autoria das imagens desconhecida.

Enchente no Vale do Anhangabaú, 1967, São Paulo, Brasil

Enchente no Vale do Anhangabaú, 1967, São Paulo, Brasil
São Paulo - SP
Fotografia

domingo, 27 de outubro de 2019

General Douglas MacArthur Encontra o Imperador Hiroíto, 27/09/1945, Tóquio, Japão

General Douglas MacArthur Encontra o Imperador Hiroíto, 27/09/1945, Tóquio, Japão
Tóquio - Japão
Acervo National Archives Estados Unidos
Fotografia


On September 27, 1945, Emperor Hirohito paid a visit to US Army General Douglas MacArthur at the United States Embassy in Tokyo. Except for the Emperor's personal translator (he spoke the Imperial Dialect of Japanese, which was difficult for native Japanese to understand) his entourage was politely, but effectively, shut out of the meeting. The two met for minutes and one photo was taken. Hirohito accepted responsibility for the conduct of the war, unaware that MacArthur, over the objections of Stalin and the British, has removed his name from the list of war criminals, fearing guerrilla actions if he were to stand trial. The next day, the photo was run in newspapers in Japan and the United States. A faction of the Japanese people believed Hirohito was forced into the meeting, but the Tenno Emperor asked MacArthur for the meeting. Hirohito was key to the smooth transition from militaristic autocratic government into a Western-style democracy. MacArthur said after the meeting that Hirohito was "a sincere man and a genuine liberal," high praise from the General. Hirohito's evaluation of MacArthur remain unclear, but he published poems in newspapers subtly encouraging the Japanese public to cooperate with the occupation. Hirohito visited MacArthur twice per year until MacArthur's retirement. His endorsement of Supreme Command Allied Powers (SCAP) directives afforded the Americans the stamp of legitimacy in a country conditioned to Imperial deference.
FEW AMERICANS fighting and dying in the jungles of the Philippines 44 years ago this spring could foresee that some day an American president would journey to Japan to honor the very Emperor Hirohito whose nation had brought war to half the world. One important American, however, saw Hirohito not as a hated enemy who must die for war crimes but as the key to democracy in Japan and to an enduring peace in the Pacific. President Bush's attendance at Hirohito's funeral next Friday will confirm the validity of Gen. Douglas MacArthur's extraordinary vision. As MacArthur's personal physician, aide-de-camp and sometime confidante since 1943, I had become accustomed to moments when the general would, in a burst of talkativeness, sort out his thoughts with me, and then as suddenly withdraw into himself again. One day in May 1945 I rode in the back of MacArthur's jeep as we visited a sector near Manila where the Japanese were putting up strong resistance. MacArthur turned around and, poking a finger into my chest, said he wanted peace to bring democracy to Japan. Further, he thought the emperor was a captive of Tojo and the warlords, that they were really responsible for the war and that Hirohito would be instrumental in permanently changing the structure of the Japanese government. He explained that the emperor had studied at an American university, understood English and was, of course, deified by his people. The war ended sooner than I anticipated. On Aug. 7, we arrived at headquarters to find a special edition of Stars and Stripes which described the awesome destruction of Hiroshima by the first atomic bomb. MacArthur commented solemnly that the bomb would seem almost supernatural to the Japanese and that it would give the emperor and his people a "face-saving opportunity" to surrender quickly. And they did. A few days later, I stood with other staff aides on a sunny Manila airstrip and watched as more than a dozen Japanese emissaries in uniform arrived to talk about the truce. That night MacArthur was quiet, and as we got out of the car he said simply, "No more shooting, Doc, no more shooting." The surrender was signed on Aug. 14, and two weeks later I flew with MacArthur to Atsugi Air Base. By that evening, there were 6,000 U.S. troops in the area; within 40 miles were 2 million Japanese troops, still armed. Winston Churchill later called this MacArthur's most dangerous landing. But the emperor had given his word to control the army, and MacArthur trusted him. He worried more about Washington than about the Japanese army and said he hoped the Pentagon and President Truman realized how important the emperor would be to the Japanese transition from feudal state to democracy. MacArthur's staff immediately pressed him to request that the emperor come to see him, and indeed some urged him to treat Hirohito as a war criminal. But MacArthur felt this was a time for patience and waited for the emperor to ask to call on him. Hirohito soon did so, and a meeting was set for Sept. 27. MacArthur explained to me that he wished to show the emperor courtesy, respect and an understanding of his situation. Above all, it would be important to establish mutual trust for the rapid creation of a "new Japan." On this and subsequent visits, he wanted to talk with the Emperor alone without the usual coterie of advisers. After all, if MacArthur had his officers present, Hirohito would want his. MacArthur felt that he and the emperor possessed all the authority needed to set up a new government, and he was afraid that if they did not move quickly, its shape might be unduly influenced by the Soviets and others who didn't care about the Japanese culture. MacArthur decided to meet with the emperor in the great hall of the American embassy. He had a large Chesterfield brought in and placed in the middle of the room. On the day of the meeting, the general had me shift the sofa several times until I got it at just the right angle. We set a chair near the sofa for a Japanese interpreter; MacArthur felt sure that the emperor did not need an interpreter but thought that having one would give him a little extra time to consider his answers. The general was still arranging the room when we heard the emperor's car in the courtyard. MacArthur had forgotten to station someone outside. He turned to me and said, "You go out and meet him, Doc. You know what to do." So I went out and opened the emperor's limousine door, and there he sat, wearing a cutaway with striped trousers, silk hat in his lap. A Japanese official sat opposite him on the jump seat. Hirohito stepped out, the titular leader and godhead of a nation with whom we had been at war for nearly four years. A full foot shorter than I, he nodded slightly in response to my greeting, his face utterly expressionless. He put on his silk hat perfectly straight. I felt it would be impolite to extend my hand, so I showed him the entrance to the hall. Inside, the general came toward the emperor with a hint of a smile and they shook hands. As MacArthur showed the emperor to his seat, I left the room and joined Mrs. MacArthur, who in a mischievous moment, suggested we watch this historic meeting from behind the heavy curtains on the balcony above the room. Thus Jean MacArthur and I, unknown to the general at the time, sat secretly, like impish children, catching momentary glimpses through gaps in the drapes. We could not hear much of the conversation but gathered from the general's tone of voice and facial expression that it was a friendly encounter. The emperor, nonetheless, remained solemn throughout. MacArthur later expressed his satisfaction with this first meeting. He said he had spoken frankly and that the emperor had quickly assumed total responsibility for the war and its consequences. "I knew I was dealing with the first gentleman of Japan," MacArthur wrote in his reminiscences. And I, watching them that day, knew that MacArthur's sensitivity to and trust in the emperor would do much to lay the groundwork for a democratic Japan and the birth of friendship between two bitter enemies that now has endured for almost half a century. Roger Egeberg was assistant secretary of Health, Education and Welfare in the Nixon administration.