Cena de Praia em Trouville, Trouville-sur-Mer, França (Scène de Plage à Trouville) - Eugène Boudin
Trouville-sur-Mer - França
Coleção privada
OST - 31x48 - 1864
Scène de plage à Trouville is a beautiful early example of
Boudin's favourite subject, that of fashionably dressed figures on the beach of
Trouville. Having settled in Paris after his marriage in 1863, throughout the
1860s and 1870s Boudin travelled every summer to Trouville, where he found the
inspiration to paint variations on the themes most dear to him. Jean Selz
wrote: 'What fascinated Boudin at Trouville and Deauville was not so much the
sea and ships but the groups of people sitting on the sand or strolling along
the beach: fine ladies in crinolines twirling their parasols, pompous gentlemen
in top hats, children and little dogs playing on the sand. In the harmony of
the colours of the elegant clothes he found a contrast to the delicacy of the
skies' (J. Selz, Eugène Boudin, New York, 1982, p. 57).
By the second half of the nineteenth century Trouville
had become a fashionable summer retreat for the French aristocracy, and their
colourful costumes provided a subject-matter to which Boudin returned
throughout his career. Captivated by the picturesque dress of these elegant
society figures, Boudin rendered them in quick, impressionistic brushstrokes
highlighted by bright blue and red tones. What fascinated the artist was the contrast
between these densely grouped men and women and the expanses of the sky against
which they are depicted. Boudin's interest in capturing the fleeting effects of
sunlight on sumptuous fabrics and the effect of a windy day on the flowing
garments, so masterfully explored in the present painting, was to have a
profound influence on Impressionist artists.
Boudin's working method consisted of painting outdoors during
the summer and finishing the work in the winter in his Paris studio. The
essential elements of these compositions are established from the beginning and
are then explored with infinite variety. As in the present work, a large
expanse of sky occupies about two-thirds of the composition with a thin band of
sea, only barely visible on one side, marking the distant horizon. The
foreground is occupied by an area of sand and the holidaymakers, placed against
the low horizon line. It is in the rhythmical grouping of the figures and their
colourful clothing that the artist articulates space and masters his
understanding of pictorial harmony. The cabins placed at varying angles
brilliantly lead the viewer's eye around and through the groups of figures
whilst at the same time providing a source of dramatic contrasts of light and
shade.
In Scène de plage à Trouville the artist
exhibits his exceptional qualities as an observer and recorder of society and
nature. Vivien Hamilton wrote: 'Although Boudin preferred painting groups of
people to painting individuals, he succeeded in capturing the characteristic
gestures, movements and costumes of the individual figures with astonishing
accuracy. The artistic challenge presented by the subject was not only the
representation of movement, colour and light but also the successful
incorporation of the human figure into the landscape. At their best, the beach
scenes vibrate with subtle nuances of light, colour, shade and movement, tiny
and hasty specks of pure colour simultaneously dramatizing the surface and
bringing the whole into harmony' (V. Hamilton, Boudin at Trouville,
London, 1992, p. 63).
The artist's need to paint largely outdoors enabled him
to endow his works with intuitive immediacy and freshness. Boudin wrote in his
notebook: 'Beaches. Produce them from nature as far as is possible ... things
done on the spot or based on a very recent impression can be considered as
direct paintings' (quoted in Gustave Cahen, Eugène Boudin, sa vie et son
œuvre, Paris, 1900, p. 183). In the present painting, Boudin brilliantly
combined his mastery of colour and light with his sense of pictorial harmony to
create an exceptional composition.

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