Ferrari 250 GT Cabriolet Series II by Pininfarina 1961, Itália
Fotografia
By the late
1950s Ferrari’s success on the racetrack cemented their status across Europe
and North America. Its road cars were gaining greater popularity as a result.
At first, its limited-production and coachbuilt road cars were a means to an
end for its racing efforts, bringing in much-needed funds to ensure Ferrari
remained competitive on the track. However, as time marched on, the road cars
would become an equally important part of the marque’s lineup. In particular,
the 250 series proved that Ferrari could have its cake and eat it, too.
Underpinning
not only Le Mans winners but its grand touring cars, the 3.0-liter Colombo V-12
and 250 GT chassis could seemingly do it all. From the lovely Lusso and the
sporty California Spider, to the Tour de France and—of course—the 250 GT
cabriolet, the basic construction formula was nothing short of perfect. Clothed
in quintessentially Italian bodywork, these cars looked as beautiful as they
drove.
Of these
models, the 250 GT cabriolet was the true gentleman’s Ferrari. More at home
cruising the coastline of the South of France than rocketing down the Mulsanne
Straight, the cabriolet was built for those individuals who respected Ferrari’s
racing pedigree yet wanted something much more civilized, comfortable, and
practical than its racing counterparts. As such, personalization played a key
role; in many cases, the owners’ wishes were Ferrari’s command.
Upon its debut
in 1959 at the Paris Motor Show, the second-series 250 GT cabriolet offered a
variety of subtle changes over the first-series models. These included open
headlamps with a slightly more rounded nose and elongated taillamp lenses.
Slightly more space in the interior and trunk also made long journeys more
comfortable. Ferrari also fitted the car with the updated, outside-plug version
of the Colombo V-12, designated Tipo 128F.
Over the course of three years of production, just 200 second-series cabriolets
were produced. This was an exquisite machine for exquisite customers with
exquisite taste.
Completed by
the factory in November 1961 and delivered new to Luigi Chinetti Motors in New
York, chassis 3009 GT was the 150th of the 200 Series II examples constructed.
Sporting a unique color scheme of Verde Italver (6012)
over Natural Franzi leather (NR1), the car was sold new to its first owner,
Angelo Roma of New York, in January 1962. A native Italian, Roma was privileged
enough to own a handful of other Ferraris, including a 250 GT SWB berlinetta,
250 GT LWB alloy berlinetta “Tour de France,” and another Series II cabriolet.
It is believed
3009 GT remained in the United States in Roma’s ownership, rather than
traveling back across the Atlantic to Italy. By the mid-1960s, it had moved to
the West Coast and was owned by Arthur L. True of Spokane, Washington. True was
certainly no stranger to Ferraris and sports cars of the era. An avid car
collector and amateur race driver who competed in Europe and North America, his
collection included a 250 Testa Rossa (0704 TR), several 300 SLs, a Porsche
904, and numerous other road and track cars. True bequeathed most of his
collection to the Henry Ford Museum in 1967. However, chassis number 3009 GT
remained in Washington and is instead noted as being owned in the 1980s by
Willard Quinn III, also of Spokane. By 1989 the car had returned across the
Atlantic and was purchased by Erich Traber of Switzerland. It would remain
there for a decade with Traber, who painted the car gunmetal grey and retrimmed
the interior in red leather.
In November
2004 the cabriolet was sold to a collector in Japan, where it remained for
several years, then returned to the United States in 2010. Upon its arrival in
California, the car was sent to the marque specialists at Fast Cars Ltd. in
Redondo Beach for a complete restoration. More recently, the car has received
further cosmetic work, including being repainted in striking Nero, along with an engine rebuild.
Furthermore, it is noted that 3009 GT retains its original engine,
transmission, and rear differential and is currently undergoing Ferrari
Classiche certification, which is expected to be completed shortly after the
sale at the seller’s expense. Additionally, the Ferrari is accompanied by a
full set of reproduction tools along with a reprinted 250 GT owner’s manual.
Sixty years
after the car’s unveiling at the Paris Motor Show, the 250 GT cabriolet is
regarded by many as the quintessential gentleman’s open-top Ferrari, one that
is as stately as it is practical and fun to drive. Thanks to its cosmetic and
mechanical work, 3009 GT would be an excellent car to drive, enjoy, and show at
concours and Ferrari club events.


















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