segunda-feira, 28 de janeiro de 2019

O Duomo de Milão e a Passagem dos Servos, Milão, Itália (Il Duomo di Milano e la Corsia dei Servi) - Carlo Canella

O Duomo de Milão e a Passagem dos Servos, Milão, Itália (Il Duomo di Milano e la Corsia dei Servi) - Carlo Canella
Milão - Itália
Gallerie d'Italia Piazza Scala Milão
OST - 69x86 - 1860/1865


The work was purchased on the antique market and entered the Collection in 1971.
Carlo Canella moved to Milan in 1842 where, on the advice of his more famous brother Giuseppe, he practised his art by representing the most characteristic views of the city, which were also the ones most in demand on the market. The Cathedral, represented from different viewpoints and in various atmospheric conditions, became a recurrent subject in his output, and was shown time and again at exhibitions in Milan and Verona between 1858 and 1867.
The version in the Cariplo Collection depicts the entrance to the Corsia dei Servi – the beginning of the ancient road that linked Milan to Bergamo – from Piazza del Duomo. Now Corso Vittoro Emanuele, the street was originally named after the Gothic church of S. Maria dei Servi, rebuilt in the Neoclassical style at the beginning of the 19th century, after which it was known as San Carlo.
The façade of Milan Cathedral  in the extreme foreground is almost completely excluded from the visual space, while the side of the building projects a cone of shade on the street thronging with people. In the heart of the city, people from all walks of life – common folk, bourgeiosie, aristocracy – vendors’ stalls and carriages are represented in a strong narrative vein that describes everyday life in minute detail. The modest, workaday aspect of the city, with all its hustle and bustle, is the protagonist of this view which, while relegating the imposing Cathedral to the sidelines, nevertheless makes it the guardian and symbol of the city. 

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